장영해ChangYounghaecontact, CV
Work,Video,writing
work
[38] Project <무영등 / surgical illumination system>, solo exhibition, 2025,
Seochon Space Seoro
[37] 1 Multi channel Video <무영등 / surgical illumination system -1>
[36] 2 Sculpture <무영등 / surgical illumination system -2>
[35] 3 Sculpture <무영등 / surgical illumination system -3>
[34] 4 Sculpture <무영등 / surgical illumination system -4(Helios160)>
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[00][33] Omnibus film <annie, cobalt>, 2025,DOOSAN Art Center[32] 1 Film <annie>
[31] 2 Film <cobalt>
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[30] Film <blur blur>, 2025
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[00] [29] Performance <3>, 2024,LDK[28] 1 Installation <letter form 3>
[27] 2 Performance <after 3>
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[26] Film <easy, breezy, beautiful>, 2025, DMZdocs
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[00][25] Project <Glove box>, solo exhibition, 2024,Alter-Side [24] 1 Film <ray>
[23] 2 Film <1S34008AP, F010122011964, .04 . 0*8 . 5mm>
[22] 3 Sculpture <Glove box>
[21] 4 Sculpture <Untitled>
[20] 5 Sculpture <흰>
[19] 6 Sculpture <cat>
[18] 7 Drawing - <135/85mmHg>, <family photo>
[17] 8 Sculpture study for <Glove box>, 2022
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[16] Performance,video <she kept her pinnerd for a minute>, 2025,DOOSAN Art Center
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[15] Performance < 𝄆climb, fronthook, angel, invert, daphne, figure head, scorpion, fall, gemini, princess, chopstic>, 2025[14] 0 Performance < 𝄆climb, fronthook, angel, invert, daphne, figure head, scorpion, fall, gemini, princess, chopstic>, 2023
[13] 0 Sculpture <Look at her face>, 2023
[12] 0 Sculpture <Look at her face(box)>, 2023
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[11] Film <I want to die because I want to touch aono / I want to hold aono so badly I could die>, 2021
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[10] Video installation <GunGrandpa>, 2023, Co-produced with Yelim Ki
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[09] Project <Black Maria>, 2023, Performance(Co-produced with MinHyein),Video
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[08] Project <Surge analysis>, solo exhibition, 2021[07] 1 Film <I want to die because I want to touch aono / I want to hold aono so badly I could die>, 2021
[06] 2 Film <echo>, 2019-2021
[05] 3 Sculpture <Xx Prototype (3d pantograph replica 1:1 scale)>, 2021
[04] 4 Sculpture study for <echo>, 2020
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[03] Performance <climb, fronthook, angel, invert, daphne, figure head, scorpion, fall, gemini, princess, chopstic)>, 2019
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[02] Performance <모든 의심이 먼지처럼 그대로네요 (climb, fronthook, angel, invert, daphne, figure head, scorpion, fall, gemini, princess, chopstic)>, 2019
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[01] Performance <Surge analysis>, 2018
Video
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Press, writing
[00] [00] 「그림자의 깊이 : 장영해의 <무영등>」, 유운성Unseong Yoo[00][00] 「무영등 아래 그림자, 너」, 양효실Hosil Yang[00]
[00] 「무영등」, 홍지영Hong Jiyoung
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[00] <인디스페이스 X 서신교환 : 우리가 보는 동안에 A Pressing Need to Train the Eye > (비)순응의 이미지 섹션, 임현영Hyounyoung Lim (<annie>언급)
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[00] 퍼블릭아트PUBLIC ART 「내 눈을 밟는, 내 눈에 밟히는 무언가: 한국 동시대 미술과 빛 II. 품고 뿜는 것: 작품 내외적」, 콘노유키Yuki konno (<ray>언급)
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[00] abs 「파놉티콘 중앙 감시자의 눈은 앞과 뒤를 동시에 볼 수 없다」, 김여명Yurmyurng Kim (<Black Maria>언급)
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[00] 「블랙 마리아, 네 번의 사건에 대한 기록」, 유지원Jiwon Yu
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[00] 「마취된 시간 - 장영해의 <Glove box>를 나서며」, 강동호Dongho kang
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[00] 「몸은 ‘나’를 위한 단상이자 침대, 그리고 관」,김세인Sein Kim
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[00] 「리듬 유령 그리드」, 이희우Lee Heewoo